When Does a Primitive Cease to Be a Primitive?: Horace Pippin's Challenge to Art Criticism.
Miguel de Baca, Memory Work: Anne Truitt and Sculpture. University of California Press, 2016.
Keri Watson, "Difference and Disability in the Photography of Margaret Bourke-White," in Disability and History. Routledge, 2017.
Andrianna Campbell, "One World or None: Hints of the Future in Norman Lewis's Abstract Expressionism," in Procession: The Art of Norman Lewis. Pennsylvania Academy of the Fine Arts/University of California Press, 2015.
John Ott, "Battle Station MoMA: Jacob Lawrence and the Desegregation of the Armed Forces and the Art World." American Art, 2015.
Michael Schreyach, Pollock's Modernism. Yale University Press, 2017.
Jason D. Weems, Barnstorming the Prairies: How Aerial Vision Shaped the Midwest. University of Minnesota Press, 2015.
Isadora Helfgott, Framing the Audience: Fine Arts and the Politics of the Popular, 1929-1945. Seeking publisher.
Diana Linden, Ben Shahn's New Deal Murals: Jewish Identity in the American Scene, Wayne State University Press, 2015.
Dawn Rogala, Hans Hofmann: The Artist's Materials. Getty Conservation Institute, 2016.
Sandra Zalman, "Modern Art Inc.: Huntington Hartford, MoMA and the Fight for Modern Art's Legacy." Grey Room, forthcoming.
Michael Lobel, John Sloan: Drawing on Illustration. Yale University Press, 2014.
Melissa Renn, "Life's Pioneer Painters: Dorothy Seiberling and American Art in Life Magazine, 1949-1968" in The Mediatization of the Artist. Palgrave Macmillan, 2017.
Katherine Roeder, Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay. University Press of Mississippi, 2014.
Stefanie Sobelle, Thais Thayer.
Lauren Kroiz, Creative Composites: Modernism, Race, and the Stieglitz Circle. University of California Press, 2012.
Ellen Landau, Mexico and American Modernism. Yale University Press, 2013.
Katherine Manthorne, "Made in New Mexico: Modern Art & the Movies, 1910s." American Arts Quarterly, Fall 2013.
Kelly Quinn, Modern Architecture on the Colorline: A Critical Biography of Hilyard R. Robinson. University of Minnesota Press, forthcoming.
Robin Veder, The Living Line: Modern Art and the Economy of Energy. Interfaces: Studies in Visual Culture Series, Dartmouth College Press/University Press of New England, 2015.
Kenneth Haltman, translator and editor, The Evolution of Taste in American Collecting, by Rene Brimo. Pennsylvania State University Press, 2016.
Tom Folland, "Rauschenberg's Queer Modernism: The Early Combines and Decoration." Art Bulletin, December 2010.
Ezra Shales, Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era. Rutgers University Press, 2010.
Kim Theriault, Rethinking Arshile Gorky. Pennsylvania State University Press, 2009.
Phoebe Wolfskill, "Caricature and the New Negro in the Work of Archibald Motley, Jr. and Palmer Hayden." Art Bulletin, September 2009.
Course Development Grant: Lana Ann Burgess, History of African-American Art. University of South Carolina.
Betsy Fahlman, New Deal Art in Arizona. University of Arizona Press, 2009.
Patricia Hills, Painting Harlem Modern: The Art of Jacob Lawrence. University of California Press, 2009.
The Newark Museum, Constructive Spirit: Abstract Art in South and North America, 1920s-50s, 2010.
Lois Rudnick, Cady Wells and Southwestern Modernism. Museum of New Mexico Press, 2009.
Debra Bricker Balken, Harold Rosenberg. University of Chicago Press, forthcoming.
Kirsten Hoving, Joseph Cornell and Astronomy: A Case for the Stars. Princeton University Press, 2009.
Elizabeth Lee, "Ivan Albright's Ida and the 'Object Congealed around a Soul.'" American Art, 2015.
Justin Wolff, Thomas Hart Benton: A Life. Farrar, Straus, and Giroux, 2012.
Grieve, "John Cotton Dana and the New Museum Movement," Mid-Atlantic Almanack.
AMB and AMB: The Artistic Lives of San Francisco's Anne Bremer
and Albert Bender.
Academy of the Fine Arts,
Art in Chicago: Resisting Regionalism, Transforming Modernism, 2007.
"Allegory versus Authenticity: The Commission and Reception of Howard Chandler Christy’s The Signing of
the Constitution of the United States." Winterthur Portfolio, Vol. 46, No. 1 (Spring 2012).
Jay Bochner, An
American Lens: Scenes from Alfred Stieglitz’s New
York Secession. MIT
Cooper and Lisa Sjostrom,
Art Together: How Collaborative Art-Making Can Transform Kids,
Classrooms, and Communities. Beacon Press, 2006.
Maren Stange, Photography and the End
Adirondack Museum, Wild
Exuberance: Harold Weston’s Adirondack Art. Syracuse
University Press and the Adirondack Museum, 2005.
Bill Anthes, Native Moderns. Duke University Press, 2006.
Natural Visions: The Power of Images in American Environmental
Reform. University of Chicago Press, 2005.
Theresa Leininger-Miller, Sculpting the New Negro: The Life and Work of Augusta Savage (1892-1962).
Alexandra Griffith Winton, “Warmth and Weft: The Modernist Textiles of Dorothy Liebes.” Modernism, September 2004.
Marie Clifford, Built By Beauty: Helena Rubinstein's Art Collection, Fashion, and the American Reception of Modern Art. Forthcoming, University of Pennsylvania Press.
Janice M. Coco, John Sloan's Women: A Psychoanalysis of Vision. University of Delaware Press, 2004.
Museum of Art, With Friends: The Art
and Lives of Six Magic Realists, 1940-1965.
Exhibition catalogue, 2005.
Joan Saab, For the Millions: The Transformation
of American Art. University of Pennsylvania Press,
Kristina Wilson, "The Intimate Gallery and the Equivalents: Locating Spirituality in the 1920s Work of Alfred Stieglitz." The Art Bulletin, December 2003.
Zurier, Picturing the City: Urban Vision and
the Ashcan School. University of California Press, 2006.
Art Gallery, Leaving for the Country:
George Bellows at Woodstock. Exhibition catalogue,
Montclair Art Museum, Conversion to Modernism: The Early Works of Man Ray, by Gail Stavitsky and Francis M. Naumann. Rutgers University Press, 2003.
Karen Quinn, "Edward Weston in Los Angeles."
Sue Taylor, "The Artist and the Analyst: Jackson Pollock's Stenographic Figure." American Art, Fall 2003.
James Wechsler, "Embracing the Specter of Communism: The Art and Activism of Hugo Gellert."
Vivien Green Fryd, Art and the Crisis of Marriage: Edward Hopper and Georgia O'Keeffe, University of Chicago Press, 2002.
Julia Foulkes, Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey, University of North Carolina Press, 2002.
Rachael Arauz, "Naming American Modernism: The Semiotics of Charles Demuth's Early Poster Portraits."
Bookbinder, Boston Modern: Figurative
Expressionism As Alternative Modernism. University of New Hampshire Press of University
Press of New England, 2005.
Patricia Hills, Modern Art in the USA: Issues and Controversies of the 20th Century. Prentice Hall, 2000.
Diana Linden, "Charles Alston's Harlem Hospital Murals: Cultural Politics in Depression Era Harlem." Prospects, Vol. 26, 2002.
Wanda M. Corn, The Great American Thing: Modern Art and National Identity 1915-1935. University of California Press, 1999.
Virginia M. Mecklenburg, "Edward Hopper's Houses." The Magazine Antiques, November 1999.
University Gallery, University of Delaware, Line Dance: Abraham Walkowitz Drawings of Isadora Duncan. Exhibition catalogue, October 2000.
Avis Berman, editor, The Artist's Voice: Talks with Seventeen Modern Artists, by Katharine Kuh. Da Capo, 2000.
Randall R. Griffey, "Marsden Hartley's Lincoln Portraits." American Art, Summer 2001.
Laurette E. McCarthy, "Modernists on Tour: A New Look at a Historic Show." Archives of American Art Journal, Vol. 37, Nos. 3&4, 1997 (issued 1999).
Sordoni Art Gallery, Jimmy Ernst, Shadow to Light, Paintings 1942-1982. Exhibition catalogue, October 1997.
A. Harrison, "Arthur
Dove and the Origins of Abstract Expressionism." American
Art, Spring 1998.
Jane Reilly, "Elsa von Freytag-Loringhoven."
Woman's Art Journal, Spring/Summer 1997.